該雜志國際簡(jiǎn)稱:OPERA QUART,是由出版商Oxford University Press出版的一本致力于發(fā)布藝術(shù)學(xué)研究新成果的的專業(yè)學(xué)術(shù)期刊。該雜志以MUSIC研究為重點(diǎn),主要發(fā)表刊登有創(chuàng)見的學(xué)術(shù)論文文章、行業(yè)最新科研成果,扼要報(bào)道階段性研究成果和重要研究工作的最新進(jìn)展,選載對(duì)學(xué)科發(fā)展起指導(dǎo)作用的綜述與專論,促進(jìn)學(xué)術(shù)發(fā)展,為廣大讀者服務(wù)。該刊是一本國際優(yōu)秀雜志,在國際上有很高的學(xué)術(shù)影響力。
Since its inception in 1983, The Opera Quarterly has earned the enthusiastic praise of opera lovers and scholars alike. In 2005, David J. Levin, a dramaturg at various opera houses and critical theorist at the University of Chicago, reconceived the journal with the goal of extending its reputation as a rigorous and cutting-edge forum for all aspects of opera and operatic production. Today, The Opera Quarterly sits squarely at the intersection of performance, theory, and history. Fundamentally interdisciplinary, it addresses both historical and contemporary developments on the stage and in the academy, embracing opera as well as considerations of voice and musical theater more broadly.